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THE WORST JOB IN THE WORLD?

Margaret Cameron • Oct 27, 2021


Gondolas and Venice are inseparable. Think of one and the other immediately follows.



Romantic images spring to mind: peaceful backwater canals canyoned between silent buildings, a smiling gondolier, perhaps singing, as snatches of accordian music drift in the air. What could be more wonderful?



It rarely happens that way.


Everyone has the same idea, you see, and Venetian gondoliers are hard-pressed meeting the Venice-in-a-gondola dream. Twenty-five million tourists arrive each year, all determined to round out the Venice experience with an hour afloat. For gondoliers, that involves a lot of rowing and a lot of patience. 



You can bet there will be photo demands when the ride is done. It's not enough merely to ride in a gondola, there must be pictorial evidence of the event. Me in Venice with my smiling gondolier will be posted to Instagram. Young American women in particular have a fondness for the hug and kiss shot.



All in a day's work. At least I can settle down with Mario for a few minutes and catch up on emails.

 
The preceding photos were taken prior to the outbreak of COVID. Gondoliers have been affected by declining tourist numbers, as has everyone in Venezia turistico. Easing restriction have seen people begin to return to Venice, but what the future holds is uncertain.

VENICE BELONGS TO THE WORLD

By Margaret Cameron • 12 Oct, 2021
The petrochemical plant at Port Maghera has been responsible for significant pollution and damage to the fragile lagoon ecosystem. It is justifiably held by many Venetians to be public enemy number one. Just as concerning is the impact of climate change and rising sea levels for a city built on water. Worrying issues indeed, and there is another problem - sometimes overlooked, often discounted - of equal significance. arm photo here to side of text. Venice belongs to the world. And the world agrees, it seems, if tourist numbers are anything to go by. Visitors from all parts of the globe descend on the city each year, totting up more than twenty-five million visitations. This represents an environmental impost to a geographically small area, and massive disruption in the day-to-day lives of its fifty-five thousand residents. Look at it from their point of view. Their city is consumed by tourists.

IT'S FOR REAL!

By Margaret Cameron • 29 Sep, 2021
After all this time and writing and research, all those edits and redrafts, countless workshops and mentoring sessions, I can now say that it's official. My manuscript, 'Under a Venice Moon' will be published by Hachette Australia in April next year. I'm both delighted and grateful. More news to follow when I come down to earth!

SPOT THE DIFFERENCE

By Margaret Cameron • 01 Dec, 2020
In the fifteenth century, Venetian painter Vittore Carpaccio put brush to canvas and came up with this famous work. It was entitled The Courtesans, and showed two women awaiting their male callers. Thus the matter rested for centuries. Recent technical analysis, however, has put the cat among the pigeons by confirming that the women were not courtesans at all. Far from it: they were in fact noblewomen awaiting the return of their husbands. How had this mistake come about? The painting had been divided and displayed as two separate panels - the upper section became known as Hunting in the Lagoon, the lower section as The Courtesans. But taken as a single work - as Carpaccio intended - changed matters. The women were clearly passing the time while their husbands persued the aristocratic activity of duck hunting. It underscores the point that many of the city's top sex-sellers were, in appearance, demeanour and lifestyle, the equal of noblewomen.
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